MEMORY OF A FOOTPRINT IX

My work of abstract painting belongs to an investigation of color and the shape that synthetic enamel can take on different supports: linen, glass, wood, different types of paper. The painting takes its place in my search to create different forms with the minimum possible control, inscribing a shape memory - abstract and minimal - in which it is possible to appreciate particular forms with perfectly delimited edges. Many times strange and simple, like other more complex shapes that show three-dimensional volumes caused by excess paint.