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DAG’s painting resists fixed meaning and clear attribution. Rather than depicting, it activates. By dissolving representation, his work opens a space beyond objects—countering art-historical convention with a practice grounded in process, disruption, and the unknown.

Working in acrylic on canvas, panel, or wall, he develops a restrained visual language of lines, circles, triangles, and spirals. Forms are layered, erased, and reworked; concealment and revelation unfold simultaneously. Technical virtuosity is secondary to repetition, chance, and the ongoing act of transformation.

Created in series, his recent works present staggered lines across dark grounds—crossing and overlapping to form tensions and fleeting harmonies. Meaning emerges through the continuous sequence of painterly gestures, inviting viewers into a concentrated experience of perception and becoming.