Flower

In his current series, Lars Plessentin experiments with structures, materials, elements and the patina of use – an echo of his youth. Analogue techniques for processing materials provide the finishing touch. The respective elements are playfully arranged in the object and change their appearance depending on the angle of view and lighting situation. This results in unconventional, even curious objects and wall installations, seasoned with a touch of sharp sarcasm and nuances of pointed irony.